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Poem by Alfred Tennyson


The Brook


     'Here, by this brook, we parted; I to the East
     And he for Italy—too late—too late:
     One whom the strong sons of the world despise;
     For lucky rhymes to him were scrip and share,
     And mellow metres more than cent for cent;
     Nor could he understand how money breeds,
     Thought it a dead thing; yet himself could make
     The thing that is not as the thing that is.
     O had he lived! In our schoolbooks we say,
     Of those that held their heads above the crowd,
     They flourish'd then or then; but life in him
     Could scarce be said to flourish, only touched
     On such a time as goes before the leaf,
     When all the wood stands in a mist of green,
     And nothing perfect: yet the brook he loved,
     For which, in branding summers of Bengal,
     Or ev'n the sweet half-English Neilgherry air,
     I panted, seems, as I re-listen to it,
     Prattling the primrose fancies of the boy,
     To me that loved him; for "O brook," he says,
     "O babbling brook," says Edmund in his rhyme,
     "Whence come you?" and the brook, why not? replies.

       I come from haunts of coot and hern,
         I make a sudden sally
       And sparkle out among the fern,
         To bicker down a valley.

       By thirty hills I hurry down,
         Or slip between the ridges,
       By twenty thorps, a little town,
         And half a hundred bridges.

       Till last by Philip's farm I flow
         To join the brimming river,
       For men may come and men may go,
         But I go on for ever.

     'Poor lad, he died at Florence, quite worn out,
     Travelling to Naples. There is Darnley bridge.
     It has more ivy; there the river; and there
     Stands Philip's farm where brook and river meet.

       I chatter over stony ways,
         In little sharps and trebles,
       I bubble into eddying bays,
         I babble on the pebbles.

       With many a curve my banks I fret
         By many a field and fallow.
       And many a fairy foreland set
         With willow-weed and mallow.

       I chatter, chatter, as I flow
         To join the brimming river,
       For men may come and men may go,
         But I go on for ever.

     'But Philip chatter'd more than brook or bird;
     Old Philip; all about the fields you caught
     His weary daylong chirping, like the dry
     High-elbow'd grigs that leap in summer grass.

       I wind about, and in and out,
         With here a blossom sailing,
       And here and there a lusty trout,
         And here and there a grayling,

       And here and there a foamy flake
         Upon me, as I travel
       With many a silvery waterbreak
         Above the golden gravel,

       And draw them all along, and flow
         To join the brimming river,
       For men may come and men may go,
         But I go on for ever.

     'O darling Katie Willows, his one child!
     A maiden of our century, yet most meek;
     A daughter of our meadows, yet not coarse;
     Straight, but as lissome as a hazel wand;
     Her eyes a bashful azure, and her hair
     In gloss and hue the chestnut, when the shell
     Divides threefold to show the fruit within.

     'Sweet Katie, once I did her a good turn,
     Her and her far-off cousin and betrothed,
     James Willows, of one name and heart with her.
     For here I came, twenty years back—the week
     Before I parted with poor Edmund; crost
     By that old bridge which, half in ruins then,
     Still makes a hoary eyebrow for the gleam
     Beyond it, where the waters marry—crost,
     Whistling a random bar of Bonny Doon,
     And push'd at Philip's garden-gate. The gate,
     Half-parted from a weak and scolding hinge,
     Stuck; and he clamour'd from a casement, "run"
     To Katie somewhere in the walks below,
     "Run, Katie!" Katie never ran: she moved
     To meet me, winding under woodbine bowers,
     A little fluttered, with her eyelids down,
     Fresh apple-blossom, blushing for a boon.

     'What was it? less of sentiment than sense
     Had Katie; not illiterate; nor of those
     Who dabbling in the fount of fictive tears,
     And nursed by mealy-mouth'd philanthropies,
     Divorce the Feeling from her mate the Deed.

     'She told me. She and James had quarrell'd. Why?
     What cause of quarrel? None, she said, no cause;
     James had no cause: but when I prest the cause,
     I learnt that James had flickering jealousies
     Which anger'd her. Who anger'd James? I said.
     But Katie snatch'd her eyes at once from mine,
     And sketching with her slender pointed foot
     Some figure like a wizard's pentagram
     On garden gravel, let my query pass
     Unclaim'd, in flushing silence, till I ask'd
     If James were coming. "Coming every day,"
     She answered, "ever longing to explain,
     But evermore her father came across
     With some long-winded tale, and broke him short;
     And James departed vext with him and her."
     How could I help her? "Would I—was it wrong?"
     (Claspt hands and that petitionary grace
     Of sweet seventeen subdued me ere she spoke)
     "O would I take her father for one hour,
     For one half-hour, and let him talk to me!"
     And even while she spoke, I saw where James
     Made toward us, like a wader in the surf,
     Beyond the brook, waist-deep in meadow-sweet.

     'O Katie, what I suffered for your sake!
     For in I went, and call'd old Philip out
     To show the farm: full willingly he rose:
     He led me thro' the short sweet-smelling lanes
     Of his wheat-suburb, babbling as he went.
     He praised his land, his horses, his machines;
     He praised his ploughs, his cows, his hogs, his dogs;
     He praised his hens, his geese, his guinea-hens;
     His pigeons, who in session on their roofs
     Approved him, bowing at their own deserts:
     Then from the plaintive mother's teat he took
     Her blind and shuddering puppies, naming each.
     And naming those, his friends, for whom they were:
     Then crost the common into Darnley chase
     To show Sir Arthur's deer. In copse and fern
     Twinkled the innumerable ear and tail.
     Then, seated on a serpent-rooted beech,
     He pointed out a pasturing colt, and said:
     'That was the four-year-old I sold the Squire.'
     And there he told a long long-winded tale
     Of how the Squire had seen the colt at grass,
     And how it was the thing his daughter wish'd,
     And how he sent the bailiff to the farm
     To learn the price, and what the price he ask'd,
     And how the bailiff swore that he was mad,
     But he stood firm; and so the matter hung;
     He gave them line: and five days after that
     He met the bailiff at the Golden Fleece,
     Who then and there had offer'd something more,
     But he stood firm; and so the matter hung;
     He knew the man; the colt would fetch its price;
     He gave them line: and how by chance at last
     (It might be May or April, he forgot,
     The last of April or the first of May)
     He found the bailiff riding by the farm,
     And, talking from the point, he drew him in,
     And there he mellow'd all his heart with ale,
     Until they closed a bargain, hand in hand.

     'Then, while I breathed in sight of haven, he,
     Poor fellow, could he help it? Recommenced,
     And ran thro' all the coltish chronicle,
     Wild Will, Black Bess, Tantivy, Tallyho,
     Reform, White Rose, Bellerophon, the Jilt,
     Arbaces, and Phenomenon, and the rest,
     Till, not to die a listener, I arose,
     And with me Philip, talking still; and so
     We turn'd our foreheads from the falling sun,
     And following our own shadows thrice as long
     As when they follow'd us from Philip's door,
     Arrived, and found the sun of sweet content
     Re-risen in Katie's eyes, and all things well.

       I steal by lawns and grassy plots,
         I slide by hazel covers;
       I move the sweet forget-me-nots
         That grow for happy lovers.

       I slip, I slide, I gloom, I glance.
         Among my skimming swallows;
       I make the netted sunbeam dance
         Against my sandy shallows.

       I murmur under moon and stars
         In brambly wildernesses;
       I linger by my shingly bars;
         I loiter round my cresses;

       And out again I curve and flow
         To join the brimming river,
       For men may come and men may go,
         But I go on for ever.

     Yes, men may come and go; and these are gone,
     All gone. My dearest brother, Edmund, sleeps,
     Not by the well-known stream and rustic spire,
     But unfamiliar Arno, and the dome
     Of Brunelleschi; sleeps in peace: and he,
     Poor Philip, of all his lavish waste of words
     Remains the lean P. W. on his tomb:
     I scraped the lichen from it: Katie walks
     By the long wash of Australasian seas
     Far off, and holds her head to other stars,
     And breathes in converse seasons. All are gone.'

     So Lawrence Aylmer, seated on a style
     In the long hedge, and rolling in his mind
     Old waifs of rhyme, and bowing o'er the brook
     A tonsured head in middle age forlorn,
     Mused, and was mute. On a sudden a low breath
     Of tender air made tremble in the hedge
     The fragile bindweed-bells and briony rings;
     And he look'd up. There stood a maiden near,
     Waiting to pass. In much amaze he stared
     On eyes a bashful azure, and on hair
     In gloss and hue the chestnut, when the shell
     Divides threefold to show the fruit within:
     Then, wondering, ask'd her 'Are you from the farm?'
     'Yes' answer'd she. 'Pray stay a little: pardon me;
     What do they call you?' 'Katie.' 'That were strange.
     What surname? 'Willows.' 'No!' 'That is my name.'
     'Indeed!' and here he look'd so self-perplext,
     That Katie laugh'd, and laughing blush'd, till he
     Laugh'd also, but as one before he wakes,
     Who feels a glimmering strangeness in his dream.
     Then looking at her; 'Too happy, fresh and fair,
     Too fresh and fair in our sad world's best bloom,
     To be the ghost of one who bore your name
     About these meadows, twenty years ago.'
     'Have you not heard?' said Katie, 'we came back.
     We bought the farm we tenanted before.
     Am I so like her? so they said on board.
     Sir, if you knew her in her English days,
     My mother, as it seems you did, the days
     That most she loves to talk of, come with me.
     My brother James is in the harvest-field:
     But she—you will be welcome—O, come in!'



Alfred Tennyson


Alfred Tennyson's other poems:
  1. Ode on the Death of the Duke of Wellington
  2. The Daisy, Written at Edinburgh
  3. To the Queen (Revered, beloved — O you that hold)
  4. St. Agnes’ Eve
  5. The Miller’s Daughter


Poems of the other poets with the same name:

  • Edward Thomas The Brook ("Seated once by a brook, watching a child")
  • Madison Cawein The Brook ("To it the forest tells")
  • John Tabb The Brook ("It is the mountain to the sea")

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