Henry Kendall (Генри Кендалл)

Leaves from Australian Forests (1869). Twelve Sonnets

     I

   A Mountain Spring

   Peace hath an altar there. The sounding feet
    Of thunder and the 'wildering wings of rain
   Against fire-rifted summits flash and beat,
    And through grey upper gorges swoop and strain;
    But round that hallowed mountain-spring remain,
   Year after year, the days of tender heat,
   And gracious nights, whose lips with flowers are sweet,
    And filtered lights, and lutes of soft refrain.
   A still, bright pool.  To men I may not tell
    The secret that its heart of water knows,
    The story of a loved and lost repose;
   Yet this I say to cliff and close-leaved dell:
   A fitful spirit haunts yon limpid well,
    Whose likeness is the faithless face of Rose.

     II

   Laura

   If Laura—lady of the flower-soft face—
    Should light upon these verses, she may take
   The tenderest line, and through its pulses trace
    What man can suffer for a woman's sake.
    For in the nights that burn, the days that break,
   A thin pale figure stands in Passion's place,
   And peace comes not, nor yet the perished grace
    Of youth, to keep old faiths and fires awake.
   Ah! marvellous maid.  Life sobs, and sighing saith,
    "She left me, fleeting like a fluttered dove;
   But I would have a moment of her breath,
    So I might taste the sweetest sense thereof,
    And catch from blossoming, honeyed lips of love
   Some faint, some fair, some dim, delicious death."

     III

   By a River

   By red-ripe mouth and brown, luxurious eyes
    Of her I love, by all your sweetness shed
   In far, fair days, on one whose memory flies
    To faithless lights, and gracious speech gainsaid,
    I pray you, when yon river-path I tread,
   Make with the woodlands some soft compromise,
   Lest they should vex me into fruitless sighs
    With visions of a woman's gleaming head!
   For every green and golden-hearted thing
    That gathers beauty in that shining place,
   Beloved of beams and wooed by wind and wing,
    Is rife with glimpses of her marvellous face;
   And in the whispers of the lips of Spring
    The music of her lute-like voice I trace.

     IV

   Attila

   What though his feet were shod with sharp, fierce flame,
    And death and ruin were his daily squires,
   The Scythian, helped by Heaven's thunders, came:
    The time was ripe for God's avenging fires.
    Lo! loose, lewd trulls, and lean, luxurious liars
   Had brought the fair, fine face of Rome to shame,
   And made her one with sins beyond a name—
    That queenly daughter of imperial sires!
   The blood of elders like the blood of sheep,
    Was dashed across the circus.  Once while din
   And dust and lightnings, and a draggled heap
   Of beast-slain men made lords with laughter leap,
    Night fell, with rain.  The earth, so sick of sin,
   Had turned her face into the dark to weep.

     V

   A Reward

   Because a steadfast flame of clear intent
    Gave force and beauty to full-actioned life;
   Because his way was one of firm ascent,
    Whose stepping-stones were hewn of change and strife;
    Because as husband loveth noble wife
   He loved fair Truth; because the thing he meant
   To do, that thing he did, nor paused, nor bent
    In face of poor and pale conclusions; yea!
   Because of this, how fares the Leader dead?
    What kind of mourners weep for him to-day?
   What golden shroud is at his funeral spread?
    Upon his brow what leaves of laurel, say?
    About his breast is tied a sackcloth grey,
   And knots of thorns deface his lordly head.

     VI

   To——

   A handmaid to the genius of thy song
    Is sweet, fair Scholarship.  'Tis she supplies
    The fiery spirit of the passioned eyes
   With subtle syllables, whose notes belong
    To some chief source of perfect melodies;
   And glancing through a laurelled, lordly throng
    Of shining singers, lo! my vision flies
   To William Shakespeare!  He it is whose strong,
    Full, flute-like music haunts thy stately verse.
   A worthy Levite of his court thou art!
    One sent among us to defeat the curse
   That binds us to the Actual.  Yea, thy part,
   Oh, lute-voiced lover! is to lull the heart
    Of love repelled, its darkness to disperse.

     VII

   The Stanza of Childe Harold

   Who framed the stanza of Childe Harold?  He
    It was who, halting on a stormy shore,
    Knew well the lofty voice which evermore,
   In grand distress, doth haunt the sleepless sea
    With solemn sounds.  And as each wave did roll
    Till one came up, the mightiest of the whole,
   To sweep and surge across the vacant lea,
   Wild words were wedded to wild melody.
    This poet must have had a speechless sense
    Of some dead summer's boundless affluence;
   Else, whither can we trace the passioned lore
   Of Beauty, steeping to the very core
    His royal verse, and that rare light which lies
    About it, like a sunset in the skies?

     VIII

   A Living Poet

   He knows the sweet vexation in the strife
    Of Love with Time, this bard who fain would stray
   To fairer place beyond the storms of life,
    With astral faces near him day by day.
   In deep-mossed dells the mellow waters flow
   Which best he loves; for there the echoes, rife
   With rich suggestions of his long ago,
    Astarte, pass with thee!  And, far away,
   Dear southern seasons haunt the dreamy eye:
    Spring, flower-zoned, and Summer, warbling low
    In tasselled corn, alternate come and go,
   While gypsy Autumn, splashed from heel to thigh
   With vine-blood, treads the leaves; and, halting nigh,
    Wild Winter bends across a beard of snow.

     IX

   Dante and Virgil

   When lost Francesca sobbed her broken tale
    Of love and sin and boundless agony,
   While that wan spirit by her side did wail
    And bite his lips for utter misery—
    The grief which could not speak, nor hear, nor see—
   So tender grew the superhuman face
   Of one who listened, that a mighty trace
    Of superhuman woe gave way, and pale
   The sudden light up-struggled to its place;
    While all his limbs began to faint and fail
   With such excess of pity.  But, behind,
    The Roman Virgil stood—the calm, the wise—
    With not a shadow in his regal eyes,
   A stately type of all his stately kind.

     X

   Rest

   Sometimes we feel so spent for want of rest,
    We have no thought beyond.  I know to-day,
    When tired of bitter lips and dull delay
   With faithless words, I cast mine eyes upon
   The shadows of a distant mountain-crest,
   And said "That hill must hide within its breast
   Some secret glen secluded from the sun.
   Oh, mother Nature! would that I could run
   Outside to thee; and, like a wearied guest,
    Half blind with lamps, and sick of feasting, lay
   An aching head on thee.  Then down the streams
    The moon might swim, and I should feel her grace,
    While soft winds blew the sorrows from my face,
   So quiet in the fellowship of dreams."

     XI

   After Parting

   I cannot tell what change hath come to you
    To vex your splendid hair.  I only know
   One grief.  The passion left betwixt us two,
    Like some forsaken watchfire, burneth low.
    'Tis sad to turn and find it dying so,
   Without a hope of resurrection!  Yet,
    O radiant face that found me tired and lone!
   I shall not for the dear, dead past forget
    The sweetest looks of all the summers gone.
   Ah! time hath made familiar wild regret;
    For now the leaves are white in last year's bowers,
   And now doth sob along the ruined leas
   The homeless storm from saddened southern seas,
    While March sits weeping over withered flowers.

     XII

   Alfred Tennyson

   The silvery dimness of a happy dream
    I've known of late.  Methought where Byron moans,
    Like some wild gulf in melancholy zones,
   I passed tear-blinded.  Once a lurid gleam
    Of stormy sunset loitered on the sea,
   While, travelling troubled like a straitened stream,
    The voice of Shelley died away from me.
    Still sore at heart, I reached a lake-lit lea.
   And then the green-mossed glades with many a grove,
   Where lies the calm which Wordsworth used to love,
    And, lastly, Locksley Hall, from whence did rise
   A haunting song that blew and breathed and blew
   With rare delights.  'Twas there I woke and knew
    The sumptuous comfort left in drowsy eyes.

1. Early Poems (1859-70). In Memoriam—Nicol Drysdale Stenhouse
2. Other Poems (1871-82). How the Melbourne Cup was Won
3. Other Poems (1871-82). Sydney Exhibition Cantata
4. Early Poems (1859-70). Cui Bono?
5. Early Poems (1859-70). Dungog

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