Henry Kendall (Генри Кендалл)

Songs from the Mountains (1880). Bill the Bullock-Driver

The leaders of millions, the lords of the lands,
 Who sway the wide world with their will
And shake the great globe with the strength of their hands,
 Flash past us—unnoticed by Bill.

The elders of science who measure the spheres
 And weigh the vast bulk of the sun—
Who see the grand lights beyond aeons of years,
 Are less than a bullock to one.

The singers that sweeten all time with their song—
 Pure voices that make us forget
Humanity's drama of marvellous wrong—
 To Bill are as mysteries yet.

By thunders of battle and nations uphurled,
 Bill's sympathies never were stirred:
The helmsmen who stand at the wheel of the world
 By him are unknown and unheard.

What trouble has Bill for the ruin of lands,
 Or the quarrels of temple and throne,
So long as the whip that he holds in his hands
 And the team that he drives are his own?

As straight and as sound as a slab without crack,
 Our Bill is a king in his way;
Though he camps by the side of a shingle track,
 And sleeps on the bed of his dray.

A whip-lash to him is as dear as a rose
 Would be to a delicate maid;
He carries his darlings wherever he goes,
 In a pocket-book tattered and frayed.

The joy of a bard when he happens to write
 A song like the song of his dream
Is nothing at all to our hero's delight
 In the pluck and the strength of his team.

For the kings of the earth, for the faces august
 Of princes, the millions may shout;
To Bill, as he lumbers along in the dust,
 A bullock's the grandest thing out.

His four-footed friends are the friends of his choice—
 No lover is Bill of your dames;
But the cattle that turn at the sound of his voice
 Have the sweetest of features and names.

A father's chief joy is a favourite son,
 When he reaches some eminent goal,
But the pride of Bill's heart is the hairy-legged one
 That pulls with a will at the pole.

His dray is no living, responsible thing,
 But he gives it the gender of life;
And, seeing his fancy is free in the wing,
 It suits him as well as a wife.

He thrives like an Arab.  Between the two wheels
 Is his bedroom, where, lying up-curled,
He thinks for himself, like a sultan, and feels
 That his home is the best in the world.

For, even though cattle, like subjects, will break
 At times from the yoke and the band,
Bill knows how to act when his rule is at stake,
 And is therefore a lord of the land.

Of course he must dream; but be sure that his dreams,
 If happy, must compass, alas!
Fat bullocks at feed by improbable streams,
 Knee-deep in improbable grass.

No poet is Bill, for the visions of night
 To him are as visions of day;
And the pipe that in sleep he endeavours to light
 Is the pipe that he smokes on the dray.

To the mighty, magnificent temples of God,
 In the hearts of the dominant hills,
Bill's eyes are as blind as the fire-blackened clod
 That burns far away from the rills.

Through beautiful, bountiful forests that screen
 A marvel of blossoms from heat—
Whose lights are the mellow and golden and green—
 Bill walks with irreverent feet.

The manifold splendours of mountain and wood
 By Bill like nonentities slip;
He loves the black myrtle because it is good
 As a handle to lash to his whip.

And thus through the world, with a swing in his tread,
 Our hero self-satisfied goes;
With his cabbage-tree hat on the back of his head,
 And the string of it under his nose.

Poor bullocky Bill!  In the circles select
 Of the scholars he hasn't a place;
But he walks like a man, with his forehead erect,
 And he looks at God's day in the face.

For, rough as he seems, he would shudder to wrong
 A dog with the loss of a hair;
And the angels of shine and superlative song
 See his heart and the deity there.

Few know him, indeed; but the beauty that glows
 In the forest is loveliness still;
And Providence helping the life of the rose
 Is a Friend and a Father to Bill.

1. Early Poems (1859-70). In Memoriam—Nicol Drysdale Stenhouse
2. Other Poems (1871-82). How the Melbourne Cup was Won
3. Early Poems (1859-70). Cui Bono?
4. Other Poems (1871-82). Aboriginal Death-Song
5. Other Poems (1871-82). Sydney Exhibition Cantata

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