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Poem by Ezra Weston Loomis Pound


Na Audiart


        Que be-m vols mal.

NOTE: Any one who has read anything of the troubadours knows well the tale of Bertran of Born and My Lady Maent of Montaignac, and knows also the song he made when she would none of him, the song wherein he, seeking to find or make her equal, begs of each preeminent lady of Langue d'Oc some trait or some fair semblance: thus of Cembelins her "esgart amoros" to wit, her love-lit glance, of Aelis her speech free-running, of the Vicomptess of Chales her throat and her two hands, at Roacoart of Anhes her hair golden as Iseult's; and even in this fashion of Lady Audiart "although she would that ill come unto him" he sought and praised the lineaments of the torse. And all this to make "Una dompna soiseubuda" a borrowed lady or as the Italians translated it "Una donna ideale."

     Though thou well dost wish me ill
                                 Audiart, Audiart,
     Where thy bodice laces start
     As ivy fingers clutching through
     Its crevices,
                    Audiart, Audiart,
     Stately, tall and lovely tender
     Who shall render
                          Audiart, Audiart
     Praises meet unto thy fashion?
     Here a word kiss!
                        Pass I on
     Unto Lady "Miels-de-Ben,"
     Having praised thy girdle's scope
     How the stays ply back from it;
     I breathe no hope
     That thou shouldst....
                               Nay no whit
     Bespeak thyself for anything.
     Just a word in thy praise, girl,
     Just for the swirl
     Thy satins make upon the stair,
     'Cause never a flaw was there
     Where thy torse and limbs are met:
     Though thou hate me, read it set
     In rose and gold.
     Or when the minstrel, tale half told,
     Shall burst to lilting at the phrase
                                 "Audiart, Audiart"....
     Bertrans, master of his lays,
     Bertrans of Aultaforte thy praise
     Sets forth, and though thou hate me well,
     Yea though thou wish me ill
                             Audiart, Audiart.
     Thy loveliness is here writ till,
                                       Audiart,
     Oh, till thou come again.[3]
     And being bent and wrinkled, in a form
     That hath no perfect limning, when the warm
     Youth dew is cold
     Upon thy hands, and thy old soul
     Scorning a new, wry'd casement
     Churlish at seemed misplacement
     Finds the earth as bitter
     As now seems it sweet,
     Being so young and fair
     As then only in dreams,
     Being then young and wry'd,
     Broken of ancient pride,
     Thou shalt then soften,
     Knowing I know not how
     Thou wert once she
                         Audiart, Audiart
     For whose fairness one forgave
                                    Audiart, Audiart
     Que be-m vols mal.



Ezra Weston Loomis Pound


Ezra Weston Loomis Pound's other poems:
  1. A Villonaud: Ballad of the Gibbet
  2. Night Litany
  3. Villonaud for This Yule
  4. Masks
  5. Cantico del Sole


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